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Minneapolis 1987 5:590:00/5:59
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0:00/6:59
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Spanish Castle Magic 5:390:00/5:39
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Blue In Green 5:570:00/5:57
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0:00/3:54
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Give It To Me Baby 4:190:00/4:19

“Bromberg, one of the foremost bassists in the world by any metric...”
- Downbeat
“Bromberg, a masterful musician known for his virtuosity on both electric and upright basses, dedicates this album to exploring the acoustic bass in a trio setting that echoes the conversational interplay characteristic of LaFaro’s time with Evans.”
- The Jazz World
Sounds
Brian Bromberg was born in Tucson Arizona. He grew up in a family of musicians and artists. His father and brother played the drums. With all that music around the house and drums all over the place, it was natural for Brian to start playing the drums as well. Brian was two and a half years old, beating up the furniture and banging on anything that didn't move. After some years of playing and practicing, Brian began his professional career as a drummer at the age of thirteen. In elementary and junior high school, Brian also played the cello. That was one instrument that Brian did not feel very comfortable playing. One day in orchestra class at junior high, the orchestra director said, “Hey Brian, you see that big bass over there in the corner? You know that nobody is playing it. Don't you want to play that big cool bass over there?" The orchestra director had a plan. He thought that having one bad bass player was better than not having one at all. That was his way of getting Brian to stop trying to saw his cello in half!
That day was a blessing in disguise. Brian didn't realize that he had the gift for melody as well as rhythm. With his drumming background and all this new melody available to him from the bass, Brian knew that this was going to be his path. From ages fourteen to eighteen, Brian locked himself up in a room and practiced day and night. While Brian was a junior in High School he was already taking many music classes at the University Of Arizona. At the U of A Brian played in the Lab Band, orchestra, and jazz combos. All that led him to test out of high school early and devote all his time to the music. For the next few years, Brian played every type of gig imaginable. Quite often Brian would play five to seven nights a week with several different bands.
Brian's first big break came in 1979 when Marc Johnson, the wonderful bassist with the great jazz pianist Bill Evans, heard Brian play while on the road in Tucson. Several months later while on tour, Marc ran into legendary jazz saxophonist Stan Getz. Stan was looking for a new bass player and asked Marc if he knew any new young players. Marc told Stan about Brian. Brian auditioned for Stan and joined the Stan Getz Quintet in December of 1979. Brian had just turned 19 and spent nearly a year touring the world with Stan and his band. Since then, Brian has toured, performed, and or recorded with some of the greatest artists of our time, including: click here
Brian has also played on many movie soundtracks, including the popular:
“The Fabulous Baker Boys”, “Havana”, “Housesitter”, “The Preachers Wife”, “Hope Floats”, and “The Bucket List”
Brian's solo career began in 1986 with the release of his first album. Since then, Brian has had a prolific recording career and has released 29 albums as a leader: click here for discography
All in all, Brian has produced more than a dozen top #10 and top #5 hits, as well as five #1 songs for himself and other recording artists! Brian certainly has evolved into a very respected voice in music, from smashing through the barriers of how the bass is SUPPOSED to be played, cutting edge bass design, to being recognized as a world-class producer, songwriter, and session musician. He keeps pushing the envelope to become the best that he can be and to keep pushing the boundaries and blowing away audiences all over the globe.
